The Idea of Indian Literature Gender Genre and Comparative Method 1st Edition by Preetha Mani ISBN 0810145006 9782022006345

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ISBN 10: 0810145006

ISBN 13: 9782022006345 

Author: Preetha Mani

Winner of the 2023 Aldo and Jeanne Scaglione Prize for South Asian Studies

Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature, written in as well as against English. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. In The Idea of Indian Literature, she explores the paradox that a single canon can be written in multiple languages, each with their own evolving relationships to one another and to English.
 
Hindi, representing national aspirations, and Tamil, epitomizing the secessionist propensities of the region, are conventionally viewed as poles of the multilingual continuum within Indian literature. Mani shows, however, that during the twentieth century, these literatures were coconstitutive of one another and of the idea of Indian literature itself. The writers discussed here—from short-story forefathers Premchand and Pudumaippittan to women trailblazers Mannu Bhandari and R. Chudamani—imagined a pan-Indian literature based on literary, rather than linguistic, norms, even as their aims were profoundly shaped by discussions of belonging unique to regional identity. Tracing representations of gender and the uses of genre in the shifting thematic and aesthetic practices of short vernacular prose writing, the book offers a view of the Indian literary landscape as itself a field for comparative literature.

Table of contents:

Acknowledgments
Note on Translation and Transliteration
Introduction: The Idea of Indian Literature
1. Comparative Worldings: The Case of Indian Literatures
2. Citations of Sympathy: How the Hindi and Tamil Short Story Gained Preeminence
3. Modernist Realism: The Literary Historical Imperative of Postindependence Indian Literatures 
4. Empathetic Connections: Communalism, Caste, and Feminine Desire in Postindependence Hindi and Tamil Short Stories            
5. The Right to Write: Authorizing Feminine Desire in the Hindi and Tamil Canons
Conclusion: Ten Theses on the Idea of Indian Literature
Notes 
Bibliography
Index

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Tags: Preetha Mani, Idea, Indian, Literature, Gender, Genre, Comparative, Method