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The Iconography of Early Anglo Saxon Coinage Sixth to Eighth Centuries 1st Edition by Anna Gannon ISBN 0199254656 9780199254651

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The Iconography of Early Anglo Saxon Coinage Sixth to Eighth Centuries First Edition Anna Gannon Digital Instant Download

Author(s): Anna Gannon
ISBN(s): 9780199254651, 0199254656
Edition: First Edition
File Details: PDF, 6.72 MB
Year: 2003
Language: english
SKU: EB-4950452 Category: Tag:

The Iconography of Early Anglo Saxon Coinage Sixth to Eighth Centuries 1st Edition by Anna Gannon – Ebook PDF Instant Download/Delivery: 0199254656, 9780199254651
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ISBN 10: 0199254656 
ISBN 13: 9780199254651
Author: Anna Gannon

This is the first scholarly art-historical appraisal of Anglo-Saxon coinage, from its inception in the late sixth century to Offa’s second reform of the penny c.792. Outside numismatic circles, this material has largely been ignored because of its complexity, yet artistically this is the most vibrant period of English coinage, with die-cutters showing flair and innovation and employing hundreds of different designs in their work. By analysing the iconography of the early coinage, this book intends to introduce its rich legacy to a wide audience. Anna Gannon divides the designs of the coins into four main categories: busts (including attributes and drapery), human figures, animals and geometrical patterns, presenting prototypes, sources of the repertoire and parallels with contemporary visual arts for each motif. The comparisons demonstrate the central role of coins in the eclectic visual culture of the time, with the advantages of official sanctioning and wide circulation to support and diffuse new ideas and images. The sources of the motifs clarify the relationship between the many designs of the complex Secondary phase (c.710-50). Contemporary literature and theological writings often offer the key to the interpretation of motifs, hinting at a universal preoccupation with religious themes. The richness of designs and display of learning point to a sophisticated patronage with access to exotic prototypes, excellent craftsmanship and wealth; it is likely that minsters, as rich, learned, and well-organized institutions, were behind some of the coinage. After the economic crises of the mid-eighth century this flamboyant iconography was swept away: with the notable exeption of the coins of Offa, still displaying exciting designs of high quality and inventiveness, reformed issues bore royal names and titles, and strove towards uniformity.

The Iconography of Early Anglo Saxon Coinage Sixth to Eighth Centuries 1st Table of contents:

Part I: Historical and Cultural Context

Chapter 1: Early Anglo-Saxon Society and Economy

  • 1.1 Political Structures and Kingdoms

  • 1.2 Trade, Exchange, and Economic Networks

  • 1.3 The Role of Coinage in Society

Chapter 2: Development of Coinage in England

  • 2.1 Pre-Anglo-Saxon Currency and Roman Influence

  • 2.2 Introduction of Coinage in the Sixth Century

  • 2.3 Evolution of Monetary Systems by the Eighth Century

Part II: Iconography and Symbolism

Chapter 3: Design Elements on Anglo-Saxon Coins

  • 3.1 Portraiture and Human Imagery

  • 3.2 Religious and Christian Symbols

  • 3.3 Animals, Monsters, and Mythical Motifs

  • 3.4 Geometric Patterns and Abstract Designs

Chapter 4: Regional Variations and Minting Practices

  • 4.1 Kingdom-Based Styles: Kent, Northumbria, Mercia, Wessex

  • 4.2 Mint Organization and Workshop Practices

  • 4.3 Die Production and Engraver Signatures

Chapter 5: Interpreting the Iconography

  • 5.1 Political Propaganda and Royal Authority

  • 5.2 Religious and Cultural Significance

  • 5.3 Artistic Influences and Continental Connections

Part III: Numismatic Analysis

Chapter 6: Classification and Typology

  • 6.1 Coin Types by Period and Region

  • 6.2 Metallurgical Studies and Weight Standards

  • 6.3 Chronological Sequencing

Chapter 7: Hoards, Finds, and Archaeological Evidence

  • 7.1 Major Coin Hoards and Their Significance

  • 7.2 Distribution Patterns and Trade Implications

  • 7.3 Insights from Excavations

Part IV: Synthesis and Interpretation

Chapter 8: Coinage as a Cultural Lens

  • 8.1 Coins and Identity

  • 8.2 Interaction Between Iconography, Politics, and Religion

  • 8.3 Broader Implications for Early Medieval Studies

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Tags: Anna Gannon, Iconography, Saxon Coinage