The Edinburgh Companion to Literature and Music Edinburgh Companions to Literature and the Humanities 1st Edition by Delia Da Sousa Correa ISBN 0748693122 978-0748693122
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Product details:
ISBN 10:0748693122
ISBN 13:978-0748693122
Author:Delia Da Sousa Correa
Provides a pioneering interdisciplinary overview of the literature and music of nine centuries
Offers research essays by literary specialists and musicologists that provides access to the best current interdisciplinary scholarship on connections between literature and musicIncludes five historical sections from the Middle Ages to the present, with editorial introductions to enhance understanding of relationships between literature and music in each periodCharts and extends work in this expanding interdisciplinary field to provide an essential resource for researchers with an interest in literature and other media
Bringing together seventy-one newly commissioned original chapters by literary specialists and musicologists, this book presents the most recent interdisciplinary research into literature and music. In five parts, the chapters cover the Middle Ages to the present. The volume introduction and methodology chapters define key concepts for investigating the interdependence of these two art forms and a concluding chapter looks to the future of this interdisciplinary field. An editorial introduction to each historical part explains the main features of the relationships between literature and music in the period and outlines recent developments in scholarship. Contributions represent a multiplicity of approaches: theoretical, contextual and close reading. Case studies reach beyond literature and music to engage with related fields including philosophy, history of science, theatre, broadcast media and popular culture.
This trailblazing companion charts and extends the work in this expanding interdisciplinary field and is an essential resource for researchers with an interest in literature and other media.
Table of contents:
- Part I: Literature and Music
Introduction – Ardis Butterfield, Helen Deeming and Elizabeth Eva Leach
Music and the Book: The Textualisation of Music and the Musicalisation of Text – Helen Deeming
Liturgical Music and Drama – Nils Holger Petersen
Intermedial Texts – Maureen Boulton
Citation and Quotation – Jennifer Saltzstein
Polytextuality – Suzannah Clark and Elizabeth Eva Leach
Courtly Subjectivities – Helen J. Swift and Anne Stone
Gender: The Art and Hermeneutics of (In)differentiation – Elizabeth Eva Leach and Nicolette Zeeman - Part II: Literature and Music in the Sixteenth and Seventeenth Centuries
Introduction – Ros King
Music and the Literature of Science in Seventeenth-Century England – Penelope Gouk
The ‘Sister’ Arts of Music and Poetry in Early Modern England – Helen Wilcox
Metrical Forms and Rhythmic Effects: Music, Poetry and Song
The Music of Narrative Poetry: Spenser, Shakespeare, Milton – David Fuller
Against ‘the Music of Poetry’ – Robert Stagg
Speaking the Song: Music, Language and Emotion in Shakespeare’s Cymbeline – Erin Minear
Performers and Performance
Shakespeare’s Musicians: Status and Hierarchy – B. J. Sokol
Best-Selling Ballads in Seventeenth-Century England – Christopher Marsh
Italian Performance Practices in Seventeenth-Century English Song – Elizabeth Kenny
Theatre Music and Opera
From Tragicomedy to Opera? John Marston’s Antonio and Mellida – Ros King
Learning to Lament: Opera and the Gendering of Emotion in Seventeenth-Century Italy – Wendy Heller
All-Sung English Opera Experiments in the Seventeenth Century – Andrew Pinnock - Part III: Literature and Music in the Eighteenth Century
Introduction – Suzanne Aspden
Thomas Arne and ‘Inferior’ English Opera – Suzanne Aspden
Phaedra and Fausta: Female Transgression and Punishment in Ancient and Early Modern Plays – Reinhard Strohm
‘When Farce and when Musick can eke out a Play’: Ballad Opera and Theatre’s Commerce – Berta Joncus
Oratorio
National Aspiration: Samson Agonistes Transformed in Handel’s Samson – Ruth Smith
Maurice Greene and the English Church Music Tradition – Matthew Gardner
Eighteenth-Century Fiction and Music
The Eighteenth-Century English Novel and Music: Virtuous Performers and Well-Mannered Listeners – Christopher Wiley
‘Dreadful Insanity’: Jane Austen and Musical Performance – Regula Hohl Trillini
Music, Passion and Parole in Eighteenth-Century French Philosophy and Fiction – Tili Boon Cuillé
Music, Poetry and Song
Shelley’s Musical Gifts – Gillen D’Arcy Wood
Performative Enactment vs Experiential Embodiment: Goethe Settings by Zelter, Reichardt and Schubert – Marshall Brown
The Musical Poetry of the Graveyard – Annette Richards
Of Mathematics, Marrow-Bones and Marriage: Eighteenth-Century Convivial Song – Christopher Price - Part IV: Literature and Music in the Nineteenth Century
Introduction – Delia da Sousa Correa
Music and the Rise of Narrative – Lawrence Kramer
Opera
From English Literature to Italian Opera: A Tangled Web of Translation – Denise P. Gallo
James, Argento and The Aspern Papers: ‘Orpheus and the Maenads’ – Michael Halliwell
Opera in Nineteenth-Century Italian Fiction: Reading ‘Senso’ – Cormac Newark
Nineteenth-Century Fiction and Music
Stendhal at La Scala: The Birth of Musical Fandom – Gillen D’Arcy Wood
George Eliot, Schubert and the Cosmopolitan Music of Daniel Deronda – Delia da Sousa Correa
Music in Thomas Hardy’s Fiction: ‘You Must Not Think Me a Hard-Hearted Rationalist’ – John Hughes
Music, Poetry and Song
Music in Romantic and Victorian Poetry – Francis O’Gorman
The Princess and the Tennysons’ Performance of Childhood – Ewan Jones and Phyllis Weliver
Tchaikovsky’s Songs: Music as Poetry – Philip Ross Bullock
Wagner and French Poetry from Nerval to Mallarmé: The Power of Opera Unheard – Peter Dayan - Part V: Literature and Music in the Twentieth and Twenty-First Centuries
Introduction – Stephen Benson
Music and Critical Theory
Nelson Goodman: An Analytic Approach to Music and Literature Studies – Eric Prieto
Lyotard, Phenomenology and the Shared Paternity of Literature and Music – Anthony Gritten
Music and Fiction since 1900
Music in Proust: The Evolution of an Idea – Mary Breatnach
Music in Woolf’s Short Fiction – Emma Sutton
Listening in to D. H. Lawrence: Music, Body, Feelings – Susan Reid
E. M. Forster and Music: Listening for the Amateur – Will May
Beckett, Music and the Ineffable – Eric Prieto
Jean Rhys and the Politics of Sound – Anna Snaith
Music in Contemporary Fiction – Christin Hoene
Music, Poetry and Song
Modernist Poetry and Music: Pound Notes – Adrian Paterson
Auden’s Imaginary Song – T. F. Coombes
Ivor Gurney: Embracing and Attacking A. E. Housman – Kate Kennedy
Music and Contemporary Poetry: Audience, Apology and Silence – Will May
Opera
Le Cas Debussy: Layers of Resonance from Literature into Music – Richard Langham Smith
Britten, Austen and Mansfield Park – Will May
Tippett, Eliot and Madame Sosostris – Oliver Soden
Literature, Pop Music and Sound
Worlds of Sound in Louis MacNeice’s Early Radio Plays: ‘Figure in the Music’ – Claire Davison
‘High Fidelity’, ‘Added Value’ and the Aesthetics of Sound Technology in Literary Modernism – Sam Halliday
Words in Popular Songs – Dai Griffiths
Notes on Soundtracked Fiction: The Past as Future – Justin St Clair
Coda
Origins and Destinations: A Future for Literature and Music – Michael L. Klein
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