Robert Lepage Routledge Performance Practitioners 1st Edition by Aleksandar Saa Dundjerovic ISBN 0203098978 9780203098974

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ISBN 10: 0203098978 
ISBN 13: 9780203098974
Author: Aleksandar Saa Dundjerovic

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

Robert Lepage is one of Canada’s foremost playwrights and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, concert tours, acting, and installation art. His most celebrated work blends acute personal narratives with bold global themes.

This is the first book to combine:

• an overview of the key phases in Lepage’s life and career
• an examination of the issues and questions pertinent to his work
• a discussion of The Dragons’ Trilogy as a paradigm of his working methods
• a variety of practical exercises designed to give an insight into Lepage’s creative process.

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Robert Lepage Routledge Performance Practitioners 1st Table of contents:

Chapter 1: Introduction to Robert Lepage

• 1.1 Early Life and Artistic Beginnings
• 1.2 The Influence of Quebec and French-Canadian Culture
• 1.3 Lepage’s Approach to Performance and Innovation
• 1.4 Key Themes and Concepts in Lepage’s Work
• 1.5 Overview of His Artistic Vision and Career Trajectory

Chapter 2: Theatrical Innovation and Artistic Style

• 2.1 Multidisciplinary Approaches in Lepage’s Work
• 2.2 Integration of Technology and Visual Design
• 2.3 The Role of Stagecraft and Set Design in Lepage’s Productions
• 2.4 Interactivity and the Use of Multimedia
• 2.5 Aesthetic and Conceptual Elements in Lepage’s Theatre

Chapter 3: Key Works and Productions

• 3.1 La Trilogie des dragons: Exploring the Epic Narrative
• 3.2 The Far Side of the Moon: Philosophical and Scientific Reflections
• 3.3 Kāram: A Theatrical Exploration of Time and Memory
• 3.4 The Andersen Project: A Journey of Identity and Myth
• 3.5 Needles and Opium: A Blend of Personal and Cultural History
• 3.6 887: The Intersection of Personal and Political Memory

Chapter 4: The Role of Technology in Lepage’s Theatre

• 4.1 The Use of Projection and Visual Effects
• 4.2 Digital Storytelling and Innovation on Stage
• 4.3 The Integration of Sound and Multimedia Elements
• 4.4 Virtual and Augmented Realities in Lepage’s Work
• 4.5 Collaborations with Technological Experts and Designers

Chapter 5: The Themes of Identity and Memory in Lepage’s Work

• 5.1 Personal and Collective Memory: The Blurring of Boundaries
• 5.2 The Exploration of Cultural and National Identities
• 5.3 The Intersection of History and Theatre
• 5.4 The Influence of Immigration and Diaspora
• 5.5 The Theatrical Reimagining of Personal Narratives

Chapter 6: Lepage’s Collaborations and Creative Process

• 6.1 Collaborative Work with Performers and Artists
• 6.2 Relationships with Designers, Technicians, and Stage Creators
• 6.3 The Role of the Director as a Creative Visionary
• 6.4 Working with International Theatre Companies and Festivals
• 6.5 The Evolution of Lepage’s Collaborative Approach Over Time

Chapter 7: Global Impact and Reception

• 7.1 Reception in Quebec, Canada, and Beyond
• 7.2 International Collaborations and Global Influence
• 7.3 The Role of Lepage in Global Theatre Communities
• 7.4 The Cultural Exchange and Influence of Lepage’s Work Worldwide
• 7.5 Critiques and Controversies: Reception and Interpretation

Chapter 8: Lepage’s Legacy and Influence on Contemporary Theatre

• 8.1 Lepage’s Influence on Theatre Innovators and Practitioners
• 8.2 The Legacy of His Works for Future Generations of Artists
• 8.3 The Impact on the Relationship Between Theatre and Technology
• 8.4 Lepage’s Role in Shaping Contemporary Performance Practices
• 8.5 The Continuing Relevance of Lepage’s Work in Today’s Theatre

Chapter 9: The Future of Robert Lepage’s Work

• 9.1 Ongoing Projects and Future Endeavors
• 9.2 Evolving Artistic Vision in a Changing Theatre Landscape
• 9.3 The Future of Multidisciplinary and Immersive Theatre
• 9.4 The Role of Lepage in the New Era of Global Theatre
• 9.5 Concluding Reflections on Lepage’s Contributions to Performance Art

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Aleksandar Saa Dundjerovic,Robert Lepage,Performance Practitioners