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Recto Verso Redefining the Sketchbook 1st Edition by Angela Bartram, Nader El Bizri, Douglas Gittens ISBN 9781317069997 1317069994

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Recto Verso Redefining the Sketchbook Angela Bartram Digital Instant Download

Author(s): Angela Bartram, Nader El-bizri, Douglas Gittens
ISBN(s): 9781409468660, 1409468666
Edition: New edition
File Details: PDF, 3.79 MB
Year: 2014
Language: english
SKU: EB-5228300 Category: Tags: , ,

Recto Verso Redefining the Sketchbook 1st Edition by Angela Bartram, Nader El Bizri, Douglas Gittens – Ebook PDF Instant Download/Delivery: 9781317069997 ,1317069994
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Product details:
ISBN 10: 1317069994
ISBN 13: 9781317069997
Author: Angela Bartram, Nader El Bizri, Douglas Gittens

Bringing together a broad range of contributors including art, architecture, and design academic theorists and historians, in addition to practicing artists, architects, and designers, this volume explores the place of the sketchbook in contemporary art and architecture. Drawing upon a diverse range of theories, practices, and reflections common to the contemporary conceptualisation of the sketchbook and its associated environments, it offers a dialogue in which the sketchbook can be understood as a pivotal working tool that contributes to the creative process and the formulation and production of visual ideas. Along with exploring the theoretical, philosophical, psychological, and curatorial implications of the sketchbook, the book addresses emergent digital practices by way of examining contemporary developments in sketchbook productions and pedagogical applications. Consequently, these more recent developments question the validity of the sketchbook as both an instrument of practice and creativity, and as an educational device. International in scope, it not only explores European intellectual and artistic traditions, but also intercultural and cross-cultural perspectives, including reviews of practices in Chinese artworks or Islamic calligraphy, and situational contexts that deal with historical examples, such as Roman art, or modern practices in geographical-cultural regions like Pakistan.
 

Recto Verso Redefining the Sketchbook 1st Edition Table of contents:

1 By Way of an Overture: Classical Optics and Renaissance Pictorial Arts

Preamble

Ars Sine Scientia Nihil Est – Scientia Sine Arte Nihil Est

Virtual Representational Space

Perspectiva

The Science of Optics

A Theory of Vision

Costruzione Legittima

Pictorial Art and Techno-Science

Bibliography

Notes

2 Parerga – Carnet de Croquis: ‘ni oeuvre, ni hors d’oeuvre’

I

II

III

IV

V

VI

VII

VIII

IX

Bibliography

Notes

3 Palimpsest

Francesco Borromini

Nicolas Cusanus and Athanasius Kircher

Sigmund Freud

Peter Eisenman

Bibliography

Notes

4 The Ontological Sketchbook

Introduction

I

II

Conclusion

Bibliography

Notes

5 Plotting the Centre: Bramante’s Drawings for the New St. Peter’s Basilica

Metaphysical and Material References

Numerical Ordering/Geometric Reckoning

The Ideal in the Real

Perspectivizing Centre

Conclusion

Bibliography

Notes

6 The Relationship Between Sketching and Painting in Chinese Traditional Aesthetics

Bibliography

Notes

7 The Design Sketchbook: Between the Virtual and the Actual

I

II

III

IV

V

VI

VII

VIII

Bibliography

Notes

8 Drawn to Each Other: A Love Affair with Sketches

Introduction

One Must Jump into the Middle of the Sheet of Paper2

Construction Lines

Barely Traced9

I Draw with my Heart in my Mouth

A Bird Catcher of Instants

Partners in Line

Bibliography

Notes

9 One Wound, Two Wounds: The Body as the Site for Writing

Preamble

Introduction

The Trace of Doris Salcedo’s Shibboleth

Doris Salcedo’s Constructed Surface for Shibboleth

Deconstructing the Trace Constructed by Doris Salcedo’s Shibboleth

Evaded and Real Site of Intervention: My Scar

The Red Sketchbook: One Wound, Two Wounds

Bibliography

Notes

10 Let’s Draw the Line: The Hidden Pages of Pakistani Artists

Introduction

Drawing and Sketches in Pakistan

Sketchbook Pages of Pakistani Artists: Case Studies

Theme One, ‘Kaccha Pakka’ (Immature): Underdeveloped Ideas and Lack of Skills

Theme Two, Naqal (Copying): Fear of Plagiarism

Theme Three, Mashq (Exercise): Preliminary Activity or a Mediating Practice?

Theme Four, Zati (Private): Not Wanting to Reveal the Personal

Theme Five, Badtameezi (Naughtiness): Transgressions, Censorship and Backlash

Theme Six, Mughalta (Fallacy): Misinterpretation of Written Words, Sentences and Artworks

Theme Seven, Mukhafaf and Isteara (Abbreviation and Metaphor)

Theme Eight, Roznamcha (Record of Everyday Life): A Chronicle

Theme Nine, Elania (Uncensored Public Display): Rejection or Call for Redefinition

Post Let’s Draw the Line Appearances of Sketchbook Pages

Conclusion

Bibliography

Authors’ Own Interviews

Notes

11 The Destruction of Ideas: Disregarding and Discarding Sketchbooks and Avoiding Prying Eyes

I

II

III

IV

V

VI

Bibliography

Notes

12 Curating Sketchbooks: Interpretation, Preservation, Display

Bibliography

Notes

13 My Arguments with the World

Overview

The Nature of Reportage Drawing

Sketchbook Drawing in the Context of Journalism

The Aim of Sketchbook Drawings

The Drawing Process

Conclusion

Bibliography

Notes

14 The Sketchbook as Collection: A Phenomenology of Sketching

The Sketchbook as Collection

Sir John Soane’s Museum as Cabinet of Curiosity

Baudrillard, Bacon’s Studio, and the System of Sketching

Resonance and Wonder

Conclusion: Sketching in the Museum

Bibliography

Notes

15 Notebooks and Narratives: The Secret Laboratory of the Architect’s Sketchbook

Research Question

The Secret Laboratory

The Reflective Gaze

Conclusion

Bibliography

Notes

16 Sketchbook or Reflective Journal? Documenting the Practical PhD

Sketchbook or Reflective Journal?

Bibliography

Notes

Bibliography

Index

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