Radical Tragedy Religion Ideology and Power in the Drama of Shakespeare and his Contemporaries 3rd Edition by Jonathan Dollimore – Ebook PDF Instant Download/Delivery: 1403938555, 9781403938558
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ISBN 10: 1403938555
ISBN 13: 9781403938558
Author: Jonathan Dollimore
Radical Tragedy Religion Ideology and Power in the Drama of Shakespeare and his Contemporaries 3rd Table of contents:
Part I: Radical Drama: its Contexts and Emergence
1 Contexts
i Literary Criticism: Order versus History
ii Ideology, Religion and Renaissance Scepticism
iii Ideology and the Decentring of Man
iv Secularism versus Nihilism
v Censorship
vi Inversion and Misrule
2 Emergence: Marston’s Antonio Plays (c. 1599–1601) and Shakespeare’s Troilus and Cressida (c. 1601–2)
i Discontinuous Identity (1)
ii Providence and Natural Law (1)
iii Discontinuous Identity (2)
iv Providence and Natural Law (2)
v Ideology and the Absolute
vi Social Contradiction and Discontinuous Identity
vii Renaissance Man versus Decentred Malcontent
Part II: Structure, Mimesis, Providence
3 Structure: From Resolution to Dislocation
i Bradley
ii Archer and Eliot
iii Coherence and Discontinuity
iv Brecht: A Different Reality
4 Renaissance Literary Theory: Two Concepts of Mimesis
i Poetry versus History
ii The Fictive and the Real
5 The Disintegration of Providentialist Belief
i Atheism and Religious Scepticism
ii Providentialism and History
iii Organic Providence
iv From Mutability to Cosmic Decay
v Goodman and Elemental Chaos
vi Providence and Protestantism
vii Providence, Decay and the Drama
6 Dr Faustus (c. 1589–92): Subversion Through Transgression
i Limit and Transgression
ii Power and the Unitary Soul
7 Mustapha (c. 1594–6): Ruined Aesthetic, Ruined Theology
i Tragedy, Theology and Cosmic Decay
ii Mustapha: Tragedy as Dislocation
8 Sejanus (1603): History and Realpolitik
i History, Fate, Providence
9 The Revenger’s Tragedy (c. 1606): Providence, Parody and Black Camp
i Providence and Parody
ii Desire and Death
Part III: Man Decentred
10 Subjectivity and Social Process
i Tragedy, Humanism and the Transcendent Subject
ii The Jacobean Displacement of the Subject
iii The Essentialist Tradition: Christianity, Stoicism and Renaissance Humanism
iv Internal Tensions
v Anti-Essentialism in Political Theory and Renaissance Scepticism
vi Renaissance Individualism?
11 Bussy D’Ambois (c. 1604): A Hero at Court
i Shadows and Substance
ii Court Power and Native Noblesse
12 King Lear (c. 1605–6) and Essentialist Humanism
i Redemption and Endurance: Two Sides of Essentialist Humanism
ii King Lear: A Materialist Reading
iii The Refusal of Closure
13 Antony and Cleopatra (c. 1607): Virtus under Erasure
i Virtus and History
ii Virtus and Realpolitik (1)
iii Honour and Policy
iv Sexuality and Power
14 Coriolanus (c. 1608): The Chariot Wheel and its Dust
i Virtus and Realpolitik (2)
ii Essentialism and Class War
15 The White Devil (1612): Transgression Without Virtue
i Religion and State Power
ii The Virtuous and the Vicious
iii Sexual and Social Exploitation
iv The Assertive Woman
v The Dispossessed Intellectual
vi Living Contradictions
Part IV: Subjectivity: Idealism Versus Materialism
16 Beyond Essentialist Humanism
i Origins of the Transcendent Subject
ii Essence and Universal: Enlightenment Transitions
iii Discrimination and Subjectivity
iv Formative Literary Influences: Pope to Eliot
v Existentialism
vi Lawrence, Leavis and Individualism
vii The Decentred Subject
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Jonathan Dollimore,Radical Tragedy,Ideology,Power,Drama,Shakespeare,Contemporaries