Music Power and Politics 1st Edition by Annie J. Randall – Ebook PDF Instant Download/Delivery: 0203329759, 9780415943642
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Product details:
ISBN 10: 0203329759
ISBN 13: 9780415943642
Author: Annie J. Randall
Music, Power, and Politics presents sixteen different cultural perspectives on the concept of music as a site of socio-political struggle. Essays by scholars from around the world explore the means by which music’s long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners, has been used to advance agendas of power and protest. The essays included examine: music used to convey political ideology in Nazi Germany, apartheid-era South Africa, and modern-day North Korea postcolonial musical efforts to reclaim ethnic heritage in Serbia and the Caribbean music as a means of establishing new cultural identities for recently empowered social groups in the UK and Brazil the subversion of racial stereotypes through popular music in the USA music as a tool of popular resistance to oppressive government policies in modern day Iran and the Bolivian Andes
Table of contents:
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INTRODUCTION
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A Censorship of Forgetting: Origins and Origin Myths of “Battle Hymn of the Republic”
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Discipline and Choralism: The Birth of Musical Colonialism
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Power Needs Names: Hegemony, Folklorization, and the Viejitos Dance of Michoacán, Mexico
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The Power to Influence Minds: German Folk Music During the Nazi Era and After
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The Making of a National Musical Icon: Xian Xinghai and his Yellow River Cantata
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Dancing for the Eternal President
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“Después de 500 Años” [After 500 Years]: The Role of Saya in Bolivia’s Black Cultural Movement
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The Power of Recently Revitalized Serbian Rural Folk Music in Urban Settings
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Hands off my instrument!
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Barbadian Tuk Music – A Fusion of Musical Cultures
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There Goes the Transnational Neighborhood: Calypso Buys a Bungalow
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Fighting for the Right (to) Party? Discursive Negotiations of Power in Pre-Unification East German Popular Music
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Who’s Listening?
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Subversion and Counter-subversion: Power, Control and Meaning in the New Iranian Pop Music
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