Cognition Literature and History 3rd Edition by Mark Bruhn, Donald Wehrs – Ebook PDF Instant Download/Delivery: 9781317936855 ,131793685X
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ISBN 10: 131793685X
ISBN 13: 9781317936855
Author: Mark Bruhn, Donald Wehrs
Cognition Literature and History 3rd Edition Table of contents:
PART I Kinds of (Literary) Cognition: Cognitive Genre Theory and History
1 Melodies of Mind: Poetic Forms as Cognitive Structures
Poetic Logic
The Pindaric Ode
Lyric Transportation
Verse Melody as Cognition
Double Attention
Form and Performance
Notes
References
2 Toward a Cognitive Sociology of Genres
Coevolution of form, Meaning, and Function
Epistolary Blending: Emergent Forms, Frames, and Functions
Blend 1: Familiar Letter
Input 1.1 Face-to-Face Conversation
Input 1.2 Absent Interlocutors
Blended Space 1.1
Blend 2: Exchange
Blend 3: Collection
Blend 4: Manual
Blend 5: Epistolary Novel
Input 5.1: Narrative Fiction
Blended Space 5.1.
Epistolary Evolutions
Emergent Epistolary Functions in Clarissa
Prospects for a Cognitive Sociology of Genres
Notes
Acknowledgments
References
3 Novelty, Canonicity, and Competing Simulations in Childe Harold’s Pilgrimage
The Predilection for Novelty
Wayfinding Cognition and the Literary Environment
Defamiliarization and Coherence in Childe Harold
References
4 Reassessing the Concept of “Ideology Transfer”: On Evolved Cognitive Tendencies in the Literary Reception Process
Experiential Learning: When Ideology Transfer Happens Just Like that
“Experiential Formats”
Induction as an Evolved Cognitive Program for Experiential Learning
Social Learning: Social Prestige as a Bias in Cognitive Elaboration
Source Monitoring in Processing Socially Learned Information
The Emotional Adaptation of “Admiration” in Epistemic Contexts
References
PART II The Moral of the Story: Affective Narratology
5 Conceptual Blending, Embodied Well-Being, and the Making of Twelfth-Century Narrative Literature
Generic Innovation and Conceptual Blending
Empathy and the Significance of Dissonance
Affectivity, Social Cognition, and Twelfth-Century Humanism
Intimations of Tragic Impasses in Wace’s Roman du Brut
Romans Antiques and the Reformative Possibilities of Feudalism
Notes
References
6 Maternity, Morality, and Metaphor: Galdos’s Doña Perfecta, Lorca’s The House of Bernarda Alba, and Andalusian Culture
Form, Function, and the Ontological Situation
Culture of Aggression
Maternity and Morality
The Failure Condition
Literature Embodied
Notes
References
7 National Identity, Narrative Universals, and Guilt: Margaret Atwood’s Surfacing
Emplotting the Nation
Narrative Prototypes and Identity: The Minor Genres
Ambivalence, Complexity, and the Ideological Uses of Genre
Emplotting Attachment: Parent/Child Reunion and Separation
Canadian Anti-Nationalist Nationalism and Americanization
Conclusion
Notes
References
PART III Perceiving Others and Narrating Selves: Theories of Mind and Literature
8 The Phenomenology of Person Perception
Introduction
Theory Theory and Simulation Theory
Phenomenology, Empathy, and the Encounter with Others
Seeing Mind in Behavior
A Perceptual Approach to Empathy
Social Cognition, Theory of Mind, and DP
Mind the Gap
The Hybrid Mind in Context
Problems for DP?
Narrative, Literature, and the Hybrid Mind
Notes
References
9 The Mind of a Pícaro: Lázaro De Tormes
Notes
References
10 Fiction as a Cognitive Challenge: Explorations into Alternative Forms of Selfhood and Experience
Fiction, Mimesis, Cognition
The Concept of Selfhood
Selfhood and Experimental Poetics
Nonstandard Selves
Conclusions
Notes
References
PART IV A Culture of Science and a Science of Culture: Theory and History of Cognitive (Literary) Studies
11 Romantic Reflections: Toward a Cultural History of Introspection in Mind Science
Introduction
Romantic Reflections: Evolution, Epiphenomena, and/or Epigenesis?
The Institution of/in Descartes’s Method
The Dream of Philosophical Poetry: Descartes and Wordsworth
Cognitive Historicism and Neurophenomenology
Notes
References
12 Toward a Science of Criticism: Aesthetic Values, Human Nature, and the Standard of Taste
Introduction
Argument from Aesthetic Disagreement
Argument from Disagreement over the Qualifications of Critics
Argument from Ultimate Aesthetic Disagreement
Hume’s Psychology of Art in the Treatise
Experimental Aesthetics
Hume’s Psychology of Literature
Cognitive Literary Studies
Conclusion
Notes
References
Epilogue: Literary Theory and Cognitive Studies
Notes
References
Contributors
Index
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Mark Bruhn,Donald Wehrs,Cognition Literature,History