Artistic Dynamos An Ethnography on Music in Central African Kingdoms 1st Edition by Brian Schrag – Ebook PDF Instant Download/Delivery: 1000331482, 9781000331486
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Product details:
ISBN 10: 1000331482
ISBN 13: 9781000331486
Author: Brian Schrag
Artistic Dynamos An Ethnography on Music in Central African Kingdoms 1st Table of contents:
1. Setting the Stage: From Humble Learning to Artistic Communication
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The Grand, Multi-Sited Conversation
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Research Personality
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Methods Evolve
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Everyone Holds a Complex Position Vis-à-Vis Everyone Else
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Everyone Should Benefit from Research
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Root Research in Reality
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Expect Multiple Locations
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Artistic Action as Communication
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View
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Foundational Plane: Location(s) and Time(s)
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Communicators
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Infrastructures
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Message(s)
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Tangible Artistry
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Reciprocity
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Artistic Communication Genres
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Clarifying Recording Events
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Clue to Bamiléké Vitality One: Arts as Communication
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Note
2. First Meetings: Bamiléké Communities in Ethnographic and Artistic Context
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First Roads Home
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Emigration, les Troubles, and Development of the Cameroonian Nation
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The Ngiembɔɔn Language
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Physical Environment
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Economic Organization
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Time
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Social and Religious Organization
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Competition in Solidarity
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Overview of Artistic Resources
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Performed Genres
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Physically Crafted Genres
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Objects Associated with Dance Groups in Balessing
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Objects and Outfits Reserved for Kings, Élites, and Members of Their Families
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Objects Related to Ceremonies and Rituals
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Hats, Stools, Canes, and Jewelry
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Clue to Bamiléké Vitality Two: Arts in Social Tension
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Notes
3. Discovery at Home: The Stable|Malleable Divide
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Research Context and Methods
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Malleable: Arts Without Locational or Temporal Regularity
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Lefemé
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Salient Life Events: Birth, Marriage, and Death
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Birth
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Marriage
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Death: The Week of Sadness
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Death: The Phase of Joy
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Individually Enacted Arts
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Sundry
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Stable: Arts with Locational and Temporal Regularity
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Location
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Communicators
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Social Infrastructure
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Objectives
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Internal Organization
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Financial Organization
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Temporal Organization
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Artistic Infrastructure
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Instruments
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Composition
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Women’s Dances (Lǔŋo Panzwe)
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Mixed Dances
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Messages
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Clue to Bamiléké Vitality Three: Arts as Stable or Malleable
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Notes
4. Confirmation from a Distance: The Inner Life of an Urban Dance Association
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Discovering DAKASTUM’s Interior Life
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Social Infrastructure
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Demographics
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Initiating and Maintaining Membership
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Internal Organization
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Artistic Infrastructure: Kànɔ̀ɔn
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Enactment Contexts
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Rehearsals
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Death-Related Enactments
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Enactments Tied to Outside Events
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Navigating Authenticity and Modernity
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A Road to Nkem Legwé in Batcham
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DAKASTUM After 2006
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Clue to Bamiléké Vitality Four: Arts in Feedback Resonance
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Notes
5. Necessary Rigor: Multi-Artistic Description of One Enactment of One Communication Genre
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Analytical Approach
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Artistic Event
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Event Features
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The Event Seen Through Five Euroamerican Arts Lenses
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Music Features
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Rhythm
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Occasionally Sounded Instruments
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Song Form
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Tonal Inventory
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Vocal Techniques
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Verbal Features
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Verbal Improvisation
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Muntu References
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Values Communicated
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Dance Features
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Drama Features
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Visual Features
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Observations on Analyzing Genres
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Clue to Bamiléké Vitality Five: Arts as They Exist
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Notes
6. Better Futures: Stable|Malleable Dynamos in Community Thriving
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Unveiling the Bamiléké Vitality Mosaic
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Clues to Understanding
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Deeper Insight: The Stable|Malleable, or Artistic Dynamo
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The Stable|Malleable Dynamo in Other Contexts
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Confident Community Engagement
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Measuring Heaven Locally
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Acting for Thriving: A Summary
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Ethnoarts
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Act One, Once More Revisited
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Tags: Brian Schrag, Artistic Dynamos, Music, Central African


