3D TV and 3D Cinema Tools and Processes for Creative Stereoscopy 1st Edition by Bernard Mendiburu ISBN 0240814614 9780240814612

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Product details:

ISBN 10: 0240814614 
ISBN 13: 9780240814612
Author: Bernard Mendiburu

3D TV and 3D Cinema Tools and Processes for Creative Stereoscopy 1st Table of contents:

Chapter 1: Professional 3D Production in the 2010s

• The 3D TV and 3D Cinema Landscape in 2010

• Cinema Went 3D in 2009

• 3D TV Is Born in 2010

• Main Critics of 3D

• 2011 and Beyond: A Forecast Attempt

• 3D TV Will Be By-Appointment Entertainment

• 3D TV Will Accelerate Stereoscopic Art Development

• An Overview of Typical 3D Productions

  • 3D Broadcasts

  • Alternative 3D Content

  • 3D Documentaries

  • 3D Feature Films

• 3D Is a Quest for Immediate Image Perfection

• 3D Means Getting the Most Perfect Picture Twice

• Live and Movie Production Means Fast Setup

• On a Cinema Set, Every Minute Is a $3000 Bill

• Live 3D: You Won’t Shoot It Again, You Won’t Fix It in Post

• Apply the 10 Rules of 3D Instinctively, Automatically

• Lessons Learned Since the Digital 3D Revolution Started

• About Cameras, Optics, and Recorders

• 3D Has Enhanced Photographic Requirements

• The Best 3D Shots Impede Storytelling

• Run and Gun Configurations

• Content Creation Is Affected

• 3D TV Is Very Close to 3D Cinema

• New Opinions on 3D Content

• The Ongoing Invention of 3D TV

• 3D’s New Collaborative Landscape

• 3D Crewing and New Job Scopes

  • The Stereographer

  • The Convergence Puller

  • The 3D Vision Engineer

  • The Rig Technician

  • The Stereoscopic Supervisor

Chapter 2: The Stereoscopic Camera Unit

• The 3D Camera Rig

  • Description and Vocabulary

  • Functions and Features

• How to Evaluate the Quality of a 3D TV Vendor

• Side-by-Side or Mirror Rigs?

• More Gear in the Optical Path

• Special Case: Steady-Cam Rigs

• Rigs from Around the World

• Cameras in 3D

  • Requirements for Filming 3D

  • Legacy 2D Cameras in 3D

  • The New Generation of 2D Cameras Designed for 3D

  • 3D Camcorders

  • 3D Lenses for 2D Cameras

Chapter 3: 3D Image Processing and Monitoring

• Monitoring 3D

• Stereoscopic Image Processing for 3D Monitoring

• Identifying 3D Image Defaults

• 3D Monitoring Tools

• Stereoscopic Image Analysis

  • State of the Art in Stereoscopic Image Analysis

  • Applications of Stereoscopic Image Analysis

  • Limits of Image Analysis

  • Existing Products

• Stereoscopic Image Geometry Correction

  • State of the Art in Image Correction

  • Applications of Stereoscopic Image Geometry Correction

  • Limits of Stereoscopic Image Geometric Correction

  • Existing Gear

Chapter 4: Shooting 3D for Broadcast or Editing

• Setting Up the 3D Camera Unit

  • Beam-Splitter Configurations

  • Color-Coding the Camera Units

  • Registering the Cameras

  • Calibrating the Cameras

  • Setting the Depth

• Transporting 3D to the Vision Mixer or Recorder

  • Stereoscopic HD-SDI

  • Frame-Compatible Formats

• Directing Live 3D

  • Directing Live 3D Sports

  • Tools for Live 3D Production

• Graphics in 3D

  • Comfortable 3D Placement in a Coherent Space with Live Picture

  • Set Safe Volumes for Graphics

  • Designing and Applying Graphics in 3D

  • Gerhard Lang, Vizrt

• Recording 3D

  • Functions You Can Expect from a 3D Recorder

  • Interview with Bruce Austin

  • Recording Metadata

  • Examples of 3D Recorders

  • Embedded and Onboard 3D Recorders

• Editing and Posting 3D

  • Editing 3D

  • Tracking 3D Cameras

  • 3D Conversion

  • Barry Sandrew, CEO, Legend Films

• Mastering, Contributing, and Distributing 3D

  • Formatting 3D

  • Contributing 3D with Peers

  • Distributing 3D to the Home

  • Theatrical Distribution

Chapter 5: Stereoscopic Experience from the Front Lines

• Low-FX 3D Feature: Derrière les murs

• Live 3D TV Sports Broadcast: Rip Curl World Cup of Surfing

• Live 3D Concert Recording: Doc Walker Concert

Chapter 6: Opinions on Creative Stereoscopy

• Defective Cinema: Notes on Repair

• Towards a Mise-en-Scène for Stereoscopy

• Stereoscopy: A 3D Cinematography?

• Stereoscopy and 2D Cinema

• Stereoscopy: Disconnect or Continuity?

• Parameters for 2D Cinema, 3D Stereoscopy, and 3D Holography

• An Example of Ambivalence and Shooting Decisions: Depth of Field

• Stereoscopy Jobs

• A Turning Point in the History of Stereoscopy?

• Final Thoughts

• Inventing the Tools for a Creative Stereoscopy

  • Inception of Modern 3D

  • Inventing the Modern 3D Camera Unit

  • Experimenting with the Medium

• Creative Stereoscopy: The Art of Cinematographic Depth

  • Creative Stereoscopy in Live 3D TV

  • The Old and New Language of 2D and 3D

  • Editing Live 3D TV

  • Camera Positions in 3D

  • Monitoring 3D

• The 3D Creativity Challenges

  • The Triple Challenge of Stereographic Arts

    • The Technical Challenge: Producing Coordinated Pairs of Pictures

    • An Artistic Challenge: A Renewed Cinematographic Language

    • A Scientific Challenge: The Human Factor

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