Sale!

Film Moments Criticism History Theory 2010th Edition by James Walters ,Tom Brown ISBN 1844573354 978-1844573356

Original price was: $50.00.Current price is: $35.00.

Film Moments Criticism History Theory 2010th Edition James Walters Digital Instant Download

Author(s): James Walters, Tom Brown, Dr James Walters (editor), Dr Tom Brown (editor)
ISBN(s): 9781844573356, 1844573354
Edition: 2010
File Details: PDF, 36.02 MB
Year: 2010
Language: english
SKU: EB-33721812 Category: Tags: , , ,

Film Moments Criticism History Theory 2010th Edition by James Walters ,Tom Brown – Ebook PDF Instant Download/Delivery:1844573354 ,978-1844573356
Full download Film Moments Criticism History Theory 2010th Edition after payment

Product details: 

ISBN 10:1844573354 

ISBN 13:978-1844573356

Author:James Walters ,Tom Brown 

Film is made of moments. In its earliest form, the cinema was a moment: mere seconds recorded and projected into the darkness. Even as film has developed into today’s complex and intricate medium, it is the brief, temporary and transitory that combines to create the whole. Our memories of films are composed of the moments we deem to be crucial: touchstones for our understanding and appreciation. Moments matter.

The 38 specially commissioned essays in Film Moments examine a wide selection of key scenes across a broad spectrum of national cinemas, historical periods and genres, featuring films by renowned auteurs including Alfred Hitchcock, Jean Renoir and Vincente Minnelli and important contemporary directors such as Pedro Costa, Zhang Ke Jia and Quentin Tarantino, addressing films including City Lights, Gone with the Wind, The Wizard of Oz, The Night of the Hunter, Wild Strawberries, 8 1?2, Bonnie and Clyde, Star Wars, Conte d’été, United 93 and Lord of the Rings: Return of the King.

Table of contents: 

  • PART ONE: CRITICISM
  • Shadow Play and Dripping Teat: The Night of the Hunter (1955); T. Gunning
  • Between Melodrama and Realism: Under the Skin of the City (2001); L. Mulvey
  • Internalising the Musical: The Band Wagon (1953); A. Klevan
  • The Visitor’s Discarded Clothes in Theorem (1968); S. Bruzzi
  • Style and Sincerity in Quentin Tarantino’s Kill Bill: Vol. 2 (2004); J. Walters
  • The Moves: Blood (1989); A. Martin
  • The Properties of Images: Lust for Life (1956); S. Neale
  • Two Views Over Water: Action and Absorption in Ingmar Bergman’s Wild Strawberries (1957); E. Gallafent
  • Making an Entrance: Bette Davis’s First Appearance in Jezebel (1938); M. Shingler
  • A Narrative Parenthesis in Life is Beautiful (1997); D. Thomas
  • The End of Summer: Conte d’été (1996); J. Leigh
  • Enter Lisa: Rear Window (1954); D. Pye
  • Opening Up The Secret Garden (1993); S. Smith
  • A Magnified Meeting in Written on the Wind (1956); S. Peacock
  • ‘Everything is connected,

People also search for:

film moments criticism history theory

film history approach

film theory history

historical criticism movie example

critical visions in film theory classic and contemporary readings

Tags:

James Walters,Tom Brown,Criticism,History